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Fri, Feb 03

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Ka X Assembly

Reading The Cinema | Surreal Darkness and the Editing of Dreams in David Lynch Cinema

David Lynch, who started his career with painting, is known for his dark, uncanny and mysterious as well as unexpected and surprising stories he painted on the screen. The director's most talked about film is probably the best film of the 21st century, and it was presented to the director in 2001 at the Cannes Film Festival.

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Reading The Cinema | Surreal Darkness and the Editing of Dreams in David Lynch Cinema
Reading The Cinema | Surreal Darkness and the Editing of Dreams in David Lynch Cinema

Saat ve Yer

Feb 03, 2023, 7:00 PM – 8:30 PM GMT+3

Ka X Assembly, Oran, One Tower AVM, Kudüs Cd. 6/A D:Kat:1, 06450 Çankaya/Ankara

Etkinlik Hakkında

Reading the Cinema | Surreal Darkness and the Editing of Dreams in David Lynch Cinema

 

Burak Apaydın

03.02.2023, Friday 19:00

 

Reading the Cinema will take place at Ka x Assembly.

Participation is limited to 60 people. You can use the link on this page for free registration.

 

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David Lynch started his career as a painter. He is known for the dark, uncanny, mysterious, unexpected, and surprising stories he paints on the screen. The directors most talked about film is also his masterpiece Mulholland Drive. It is considered one of the best films of the 21st century and won the Best Director award at the 2001 Cannes Film Festival. As an example of a puzzle-like surreal film noir at first glance, he reaches from reality to dreams and invites the audience to follow a broken lover's wanderings in dead-end streets and get lost with him. You are invited to our dream interpretation session, which will start in the hope that we can find a way out in this city of dreams full of dead-end streets.

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Burak Apaydın

Burak Apaydın completed his undergraduate degree in cinema in Ankara. Since 2008, he has been active in Istanbul, mainly in camera technique, imaging and workflow development, and commercial and motion picture productions. He also gave training in the same fields between 2011-2016. Since 2016, he's been producing mainly lens-based works. His videos, photographs and three-dimensional installations have been exhibited in various exhibitions.

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